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16 janvier 2014 4 16 /01 /janvier /2014 12:00

http://f0.bcbits.com/img/a4076453580_2.jpg

https://soundcloud.com/motohikohirami

Country : Japan
Genre : Instrumental Piano
Style : Ambiant , Acoustic

Label : Auto Prod.
Year : 2013

DJ DEMONANGEL Rating : 4/5
FAN Rating : 5/5

 

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Tracklist :

1.bird flew somewhere i 00:49
2.rest of passion 01:31
3.astra 01:27    
4.materia 00:56
5.bird flew somewhere iii 00:38    
6.bird flew somewhere ii 00:36
7.time left me 00:58    
8.dream-John Cage 04:03    
9.little one 02:02

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18 mai 2013 6 18 /05 /mai /2013 12:00

http://f0.bcbits.com/img/a0029480931_2.jpg

http://www.renamusic.com

Country : USA
Genre : Electronic , Electro Acoustic
Style : Downtempo , IDM , Experimental , Neo Classical

Label : Cartesian Binary Recordings
Year : 2013

 

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“Echoes” is the fifth full-length album from seasoned producer Rena Jones…

Unlike Rena’s previous releases, Rena has chosen a new path to make a truly collaborative and live studio album while still holding true to her unique take on down-tempo music.

Pulling from her years of experience as a session musician and audio engineer, Rena decided to work with many long time collaborators as well as world renowned artists Sophie Barker on vocals (Zero 7 and Groove Armada), Matt Robertson on modular synth (Bjork, Lamb, Bat for Lashes), Earl Harvin on drums (Seal, Air) Laura Scarborough on grand piano (Quixotic Fusion), a live woodwind section and solo violinist Ilya Goldberg (Emancipator) to name a few.

Rena Jones has taken the electronic world and put a warm soothing coat on it. With her epic compositions in which she uses a variety of electronics, synths, beat machines, sound design, analog gear and traditional instruments, she has earned a coveted place among those who seek to meld the electronic and human elements of music.

Her previous albums have been chosen in the top 25 essential albums of the year on NPR Echoes Radio and has gained her a devoted international following.

Staying true to her roots as a producer, “Echoes” is another concept album exploring the ideas of duality and inspired by the great poetry of Rumi ~

Like Rena’s previous albums “Echoes” is bound to stay on heavy rotation and become a long time favorite in your play list.
credits
released 01 April 2013
Echoes – Credits

All music written and recorded by Rena Jones unless otherwise noted

Produced by Rena Jones

Recording and Mastering Credits

Mixed by Justin Phelps and Rena Jones at Cloud City Studios (Portland, OR)
Mastered by Justin Phelps at Cloud City Studios, (Portland, OR)
Grand Piano Recorded by Rena Jones at Cloud City Studios
Some Cello, Viola and Violin Recorded by Justin Phelps at Cloud City Studios
Live Drum Kit Recorded by Rena Jones and Matthew Twaites at Metway Sudios (Brighton, UK) Vocals and Guitar on “Wishes” recorded by Rena Jones and Matthew Twaites at Metway Studios
Woodwinds recorded by Joshua Penman

Artwork by Deon Staffelbach www.staffelbach-si.com

“Echoes” ft Ilya Goldberg
Rena Jones: Electronics, Beats, Sound Design, Cello, Viola, Violin
Ilya Goldberg: Lead Violin

“Shadows”
Rena Jones: Electronics, Sound Design, Cello, Clarinet, Beats, Conceptualization for Woodwinds
Yonatan Elkayam: Upright Bass
Earl Harvin: Drum Kit
Stephen “Cha Chi” Mitchell: Frame Drum, Percussion
Matt Robertson: Modular Synth
Rubin Elias: Rhodes
Phil O’Connor: Bass Clarinet
Damian Montano: Bassoon
Joshua Penman: Composition for Woodwinds

“Wishes” ft Sophie Barker
Rena Jones: Electronics, Beats, Sound Design, Cello, Sub Bass
Earl Harvin: Drum Kit
Sophie Barker: Vocals, Lyrics
Yul Desai: Guitar, Synth Bass
Alana Rocklin: Upright Bass
Matt Robertson: Minimoog

“Returning to the Source”
Rena Jones: Electronics, Programming, Beats, Sound Design, Cello, Viola, Violin, Conceptualization for Woodwinds
Earl Harvin: Drum Kit
Ilya Goldberg: Lead violin
Phil O’Connor: Clarinet, Bass Clarinet
Lara Wickes: Oboe, English Horn
Damian Montano: Bassoon
Joshua Penman: Composition for Woodwinds

“Dusk till Dawn”
Rena Jones: Electronics, Beats, Sound Design, Cello, Rhodes
Beats and Bass written by Christopher Norman and Rena Jones
Earl Harvin: Drum Kit
Laura Scarborough: Nord Rhodes, Organ, Accordion
Matt Robertson: Minimoog

“Mirror Me” ft Sophie Barker
Rena Jones: Electronics, Beats, Sound Design, Cello, Viola, Violin
Ilya Goldberg: Viola
Earl Harvin: Drum Kit
Sophie Barker: Vocals, Lyrics
Yul Desai: Guitar
Stephen “Cha Chi” Mitchell: Congas
Scrote: Rhodes

“All That Ever Was”

Rena Jones: Electronics, Sound Design, Cello, Clarinet, Violin, Rhodes, Conceptualization for Woodwinds
Beat written by Stephen “Cha Chi” Mitchell and Rena Jones
Stephen “Cha Chi” Mitchell: Percussion
Laura Scarborough: Piano
Phil O’Connor: Clarinet, Bass Clarinet
Lara Wickes: Oboe, English Horn
Damian Montano: Bassoon
Joshua Penman: Composition for Woodwinds

“Dancing with the Universe”
Rena Jones: Electronics, Sound Design, Cello, Viola, Violin, Vocals
Beats Written by Christopher Norman and Rena Jones
Earl Harvin: Drum Kit
Christopher Norman: Synth Bass and Beats
Katrina Blackstone: Vocals
Laura Scarborough: Grand Piano, Rhodes
Matt Robertson: Modular Synth

“Mesmerized”
Rena Jones: Electronics, Beats, Sound Design, Cello, Viola, Violin
Roel Funcken: String Manipulation taken from the collaborated song “Mesmer”
Earl Harvin: Drum Kit
Matt Robertson: Modular Synth
Laura Scarborough: Grand Piano

“Falling into Place”
Rena Jones: Electronics, Beats, Sound Design, Cello
Earl Harvin: Drum Kit
Alana Rocklin: Upright Bass
Laura Scarborough: Grand Piano
Matt Robertson: Minimoog


Special thanks:

This album should really be called me and everyone amazing that I know and love…. I am deeply honored by the love and work that several artists contributed to this album. From the Indiegogo support to all the amazing artists who took time to help me in my vision for this record as well as all of my wonderful friends who have shown me inspiration and support over the years.

Deon Staffelbach, Matt Robertson, Jennifer Maksymetz, Sophie Barker, Yul Desai, Earl Harvin, Kodish, Alisha Harrington, Kris Northern, Bot23, EVAC, Roel Funcken, Andrea Parker, Andy Turner, Wendy Blackburn, Stephen “Cha Chi” Mitchell, Andros Sturgen, The Trance Birds, Ilya Goldberg, STS9, Laura Scarborough, Alana Rocklin, Glenn Ross, Austen Baily, Re:Evolution Media, Maer and Joni Ben-Yisrael, Asher Fulero, Paradox Pollack, Ali & Satsi, The Fifth Sacred Thing Crew, Anahata LeBaw, Justin Phelps, Lynx, Todd Mellors, Thomas Dimuzio, Joshua Penman, Patch, Christopher Norman, Katrina Blackstone, Steven Gerson, My mother and Father, Cindy Purcell Jones, Robert Jones, Christina Metzger, Heidi Lama, Ben Milstein, Rebecca Cotera, Robin Triskele, Chris Richards, Bassbintwins, Tim Homer, Aluna, Roberto Riggio, Mohamed Firozi, Jason McKenzie, Govinda, Bluetech, Lynda Arnold, and anyone I may have missed…

Source

 

Tracklist :

1.Echoes ft Ilya Goldberg 04:35
2.Shadows 05:06
3.Wishes ft Sophie Barker 04:14
4.Returning to the Source 05:13
5.Dusk till Dawn 05:32
6.Mirror Me ft Sophie Barker 05:49
7.All That Ever Was 04:30
8.Dancing with the Universe 04:41
9.Mesmerized 05:33
10.Falling into Place 04:03 

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7 avril 2013 7 07 /04 /avril /2013 12:00

http://f0.bcbits.com/z/29/78/2978718246-1.jpg

https://soundcloud.com/il-lomusic
http://il-lo.bandcamp.com

Country : France
Genre : Abstract Electro
Style : Electro acoustic , Downtempo , Ambient

Label : Auto Prod.
Year : 2013

 

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Le forum de trip-hop.net voit défiler les compositions personnelles et autres petits albums au détour d'un soundcloud ou d'un bandcamp. Il.lo appartient à ceux-là. Derrière ce pseudonyme étrange, se cachent Dejan Dejado et Andreas Schütz, un duo français rencontré à Prague qui a eu la bonne idée d'échanger des bouts de musique via la dropbox. Le premier au sample, le second au synthé et autres instruments virtuels, leurs contributions vont s'enchaîner pendant plus de 8 mois avant une session de mixage commune. Et c'est ainsi que Distances, le bien nommé, naquit. Distances, c'est donc une invitation au voyage entre l'Espagne (Ronda) et la Slovénie (Kozina). On prend beaucoup de plaisir dès la première écoute. Les arrangements sont simples sans être simplistes. Les mélodies fonctionnent très bien et pour un 5 pistes, il n'y a pas cette impression de trop peu assez commune pour ce type d'autoproduction. On se trouve bel et bien devant de l'abstract hip-hop de qualité avec une petite touche en plus qui permet de sortir du lot : l'utilisation d'une trompette (Grégoire Pitt) et de samples saxo/clarinette très bien trouvés (coup de coeur particulier à Ronda et Praha), le tout un peu dans la lignée d'un Bonobo parsemé de petites séquences rythmées (step, drum'n bass). Ajoutons à cela l'utilisation intelligente d'une interview du chef d'orchestre britannique Simon Rattle à propos de Gustav Mahler et des séquences percussives qui n'écrasent jamais l'ensemble pour un travail de mise à niveau très pro. Rien n'a été bâclé et ça fait bien plaisir. Une jolie découverte que nous vous invitons à découvrir sur Bandcamp en attendant la suite et dans l'espoir de concert accompagné de bons instruments. De votre côté, si vous aimez n'hésitez pas à apporter votre contribution au titre du prix libre / name your price pour les soutenir, gage d'un chouette état d'esprit... Source

 

Tracklist :

1.Ronda 03:25
2.Jesenice 05:19
3.Praha 03:25
4.Utrecht 06:20
5.Kozina 04:48 

 

Info File :
Playtime: 00:23:19
Audio codec: MP3
Bitrate: 320 kbps
File: Zip
Size: 43.4 MB

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14 décembre 2011 3 14 /12 /décembre /2011 12:00

 

http://f0.bcbits.com/z/18/39/1839470211-1.jpg

http://www.beatsantique.com
http://www.myspace.com/beatsantique

Origine du Groupe : North America
Style : Electro , Electroacoustic
Sortie : 2011

 

From Official Site :

Growing like wildfire under the canopy of live electonica and world roots music comes a masterful merge of modern technology, live instrumentation and seductive performance, built of brass bands and glitch, string quartets and dubstep: the musical trio Beats Antique.

Since the group’s inception from the eclectic underground of San Francisco’s performance art scene, Beats Antique has been notorious for making it nearly impossible to sit still. They meld their mediums as attentively as they fuse the cultures that inspire their sound. All self produced and composed, the trio creates a unique collage: an animalistic, raw musical event that blurs the lines between the provocative, the spiritual, and the artistic, while still maintaining an allegiance to the muses of class and beauty.

The journey that led to Beats Antique today was a winding and twisted path from the west coast to the ancient trade routes of the silk  road. In this modern incarnation, the musical alliance of producers David Satori and Tommy Cappel is inspired and emphasized by their collaborative partnership with world-renowned belly dance performer and music producer Zoe Jakes.

David Satori and Tommy Cappel both trained classically before venturing to locations such as Bali, West Africa, Serbia and beyond. With extensive backgrounds in multicultural music production, and the passports to prove it, Satori and Cappel command the spectrum of live and digital instrumentation, born from Hip Hop and old school jazz.

Zoe Jakes adds a third dimension as the multi –cultural and –disciplinary dance counterpart to Beats Antique’s sound. Jakes has worked with 2  major dance troupes, Miles Copeland’s Bellydance Superstars and Rachel Brice’s Indigo Belly Dance Company, a student of ballet and contemporary techniques. Jake’s additional history with Cappel in the Extra Action Marching Band and the Yard Dogs Road Show grants some insight into the caliber of performance that is Beats Antique’s standard.

All of this sets the scene for Beats Antique’s overtly ambitious stage show, a sensory overload conquest of the festival circuit’s most riotous events, such as Lollapalooza, Austin City Limits festival, and Outside Lands, as well as a catalog of proper tours that include Bassnectar and a recent run with Les Claypool of PRIMUS in early 2010. According to Satori, the trio is excited by their ability to create a huge sound from their relatively small setup. “It gives us this whole new world of musical opportunities that we’re just starting to scratch the surface of.”

In a prolific 3 years since Beats Antique emerged, the group has released 2 albums and a pair of EPs, with a third album, Blind Threshold, on the way. Notable features of the new release include vaporous violins and Danny Elfman-esque dementia; glitchy, laser-guided harmonica provided by Blues Traveler frontman John Popper; and 2 very different vocal tracks that range between restless pop hooks and vibrant Eastern European dance loops. All wrapped into an intricate collection of heavy beats and sub bass.

Beats Antique is best imagined as an innovative creature built from the cumulative heritage of the world’s music chasing its tail. However vivid that image, when a marching band groove crashes into bluesy folk chords only to be accompanied by electronic beats and Middle Eastern melodies, you’ll still be surprised.

General – beatsantique@gmail.com

Booking – beatsantiquebooking@gmail.com


Tracklist :
1. Cat Skillz (05:29)
2. The Porch (04:07)
3. Alto (04:17)
4. Siren Song (04:46)
5. Skytalk (04:13)
6. Snar Axel (04:08)
7. Uneven (05:57)
8. Swagger (with The Tailor) (04:51)
9. Alleyway (with Ill Gates) (04:28)
10. We Swarm (Beats Antique Remix) (05:57)

 

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7 décembre 2011 3 07 /12 /décembre /2011 11:00

http://www.rsr.ch/2011/07/20/23/31/3281819.image?w=608&h=342


Bonobo Live, Paléo Festival Nyon 2011 (concert... par paleo

 

http://www.bonobomusic.com

http://www.myspace.com/sibonobo

Origine du Groupe : U.K
Style : Electro , Electroacoustic , DJ , Trip Hop , Downtempo
Sortie : 2011
Durée : 01:07:30

 

From http://ninjatune.net

Simon Green was born and grew up in rural Hampshire, escaping to Brighton aged eighteen. There he fell into the jazz/hip hop/funk/soul scene centred around Rob Luis and nights like phonic:hoop. An accomplished musician as a teenager, he began producing his own tracks, pushing at the template established in the sweaty little venues studding the Lanes.

Green’s first release came on Luis’ label, Tru Thoughts, when his track 'Terrapin' was included on the compilation 'When Shapes Join Together' in 1999. His debut album, 'Animal Magic' followed the next year, completely self-produced and largely self-played, too. Hailed as one of the “new downtempo pioneers”, Green found himself attracting the attention of other labels and eventually signed to Ninja Tune.

In 2003 he released his first album for the label, 'Dial ‘M’ For Monkey'. This was a time when Green was also focussing heavily on his DJing, playing banging dancefloor sets of hip hop, funk and drum & bass up and down the country and across Europe, a period which reached its apogee with the release of the mix album 'Solid Steel: It Came From The Sea'.

'Days To Come' followed in 2006, Green opting for a lusher, more live sound than on his earlier records. To tie in with this musical development, he put together and rehearsed a live band that could bring the music of his records to life. As a result he has moved from selling out the Luminaire to selling out Koko to selling out Kentish Town Forum and the Roundhouse and producing the live DVD to prove it. 'Days To Come' also scooped the Gilles Peterson listnerer’s poll for Album of The Year. At the award ceremonies he met the talented UK soul singer Andreya Triana. Not only did the friendship they struck up result in Andreya’s superb contributions to 'Black Sands' but Si has produced the whole of her solo debut, 'Lost Where I Belong'.

Over the last couple of years, Bonobo has become one of the premier artists on the Ninja Tune imprint and certainly one of the most listened to, with over 16 million plays recorded on LastFM. His combination of superb live shows and studio wizardry means that he is now perfectly placed to push on into a yet bigger league. With 'Black Sands', Bonobo has made the record to achieve it.

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24 novembre 2011 4 24 /11 /novembre /2011 12:30

http://www.technique.co.jp:88/photo/img/201106/NON31_1.JPG

http://burntfriedman.com

http://www.myspace.com/berndfriedman

http://nonplace.de

Origine du Groupe : Germany
Style : Electroacoustic , Instrumental , Experimental
Sortie : 2011

icon streaming

From http://nonplace.de

Burnt Friedman rattles the pots and pans and also presents his latest technological breakthrough in the form of the rubber band guitar. He is careful to provide in his orchestrations the outer-rational sound of things banging into other things, or scraping across them, or being struck by a human hand. Guest appearances come from Joseph Suchy, electric guitar, Daniel Schroeter, bass, Hayden Chisholm, reeds and Takeshi Nishimoto, Sarod. The limited edition sleeve artwork was created by Berlin artist Theo Altenberg.


Tracklist :
01. Zen' Aku 6:05
02. Nin' Nin Keppo 4:18
03. Shikaku Kankei 5:40
04. Rimuse 5:59

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2 octobre 2011 7 02 /10 /octobre /2011 11:00

http://fat-cat.co.uk/fatcat/packshots/325/351_644.jpg

http://www.hauschka-net.de

http://www.myspace.com/hauschka

Origine du Groupe : Germany
Style : Electroacoustic , Instrumental
Sortie : 2011

Pour http://www.rockittothemoon.com

Volker Bertelmann devait trouver son nom trop difficile à retenir, du coup il a choisi le pseudo Hauschka. Pas con. En 2007 je tombe un peu par hasard sur Room to expand et je suis sous le charme de ce compositeur made in Dusseldorf qui torture son piano.

En 2011, Volker s’entoure (de deux Calexico et un Mum) et sort son album le plus abouti. Et par là je veux dire que c’est mon avis que j’exprime. Car c’est de l’un des albums de l’année dont on parle là. Si le piano est toujours au centre des débats, c’est une multitude de trouvailles mélodiques géniales qui garnit ce Salon des amateurs.

Sur un disque moins expérimental, et presque dansant, Hauschka évite la répétition que sa formule pouvait laisser présager... le piano a ses limites.


Tracklist :
01. Radar
02. Two AM
03. Girls
04. Ping
05. Cube
06. Subconcious
07. No Sleep
08. Tanzbein
09. Taxitaxi
10. Sunrise
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29 mai 2011 7 29 /05 /mai /2011 11:00

http://www.grooveattack.com/images/news/12245.jpg

http://nonplace.de

http://www.myspace.com/burntfriedmanjakiliebezeit

Origine du Groupe : Germany
Style : Electro Acoustic , Dub , Experimental , Psychedelic
Sortie : 2011

By  themilkman  from http://www.themilkfactory.co.uk

The partnership between German electronic musician Burnt Friedman and legendary Can drummer Jaki Liebezeit, established almost ten years ago, is back in action once more, following the 5 7 EP released last year. This fourth instalment in the Secret Rhythms series continues on a similar path to its predecessors by bringing together rich rhythmic tones and rarefied electronic formations. More than ever centered around Liebezeit’s hypnotic drumming, Secret Rhythms 4 sees the pair move into more minimal, stripped down terrains, the rhythmic patterns forever more cyclical, repetitive and fluid, layered with fragments of electronics and guitars, themselves set into loops of varying intensity and length.

Four of the six tracks here go over the ten minute mark, with 182-11 clocking at just under sixteen minutes. This leaves the pair plenty of time to set their rhythmic structures in motion and work on the trance-like aspect of the groove of each track until it starts distorting the perception of its very nature. So bare is the surrounding soundscapes created by Friedman around Liebezeit’s overwhelming rhythms that, as tracks progress, it becomes difficult to identify with precision at which exact point one is. For the most of 128-05 for instance, the scope is divided between Liebezeit’s alternating set of toms and bass drums and a recurring electronic two-tone bass which appears so tightly stuck to the drum patterns that it blends in almost entirely in the background. Later, the bass is taken up a couple of octaves as Friedman progressively introduces sweeping textures, but this barely affects the hypnotic nature of the piece.

Before it, 204-07 shows a richer sonic space around the core rhythmic structure, although Friedman seems to remain slightly towards the back here, leaving long term collaborator Joseph Suchy, a member of his Nu Dub Players, on E-Fuzz guitar to occupy the fore. Equally, 182-11 is a much more elaborate and complex piece, which grows over its all course from sparse drum inputs placed over hazy soundscapes to much drier forms later on as treated guitars are introduced, while 120-05 later is once again criss-crossed with E-Fuzz guitar fragments, this time supplied by Tim Motzer, giving it a more abrasive feel as the pace picks up.

On the two short tracks, 131-07 and 120-11, the sonic scope is considerably concentrated, which induces an element of urgency other absent of this record. The hectic pace of the former contrasts with the more subtle progressive tempo of previous pieces, while the latter provides Friedman with the opportunity to develop miniature melodic forms and let them roam free for a moments before they are ultimately brought back under the implacable control of Liebezeit’s percussions.

It appears that the further Burnt Friedman and Jaki Liebezeit develop their collaboration the more fascinating it gets. Secret Rhythms 4 is a less immediate record than its predecessors, perhaps due to its barer overall aspect, yet the pair have reached here another level of development here, their understanding and respect of each other’s space allowing them both to perform as equal whilst occupying very different roles, ultimately making this record their more compelling release yet.

Tracklist :
01 204-07 (10:44)
02 128-05 (10:21) mix by Mark Ernestus
03 182-11 (15:40)
04 131-07 (05:33)
05 120-11 (04:17)
06 120-05 (10:20) mix by Rashad Becker and Burnt Friedman

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13 mai 2011 5 13 /05 /mai /2011 15:30

http://www.dustygroove.com/images/products/n/nojazz~~~~~_nojazz~~~_101b.jpg

http://www.nojazz.net/
http://www.myspace.com/lesnojazz

Origine du Groupe : France
Style : Electro Jazz , Electro Acoustic
Sortie : 2002

 

nojazz3-pti.jpgAlors les Nojazz , c'est un bouillon de musique mixer dans le grand checker des genres musicaux !!
C'est ce qu'on peux retrouver dans leur musique , total écléctisme nous balançandt de la Drum & Bass à la Jungle au Funk et j'en passe des meilleures ..
Toujours accompagner de cette fabuleuse trompette qui vient relever la sauce de leurs musique , les Nojazz offre un moment de pur plaisir et délire en les écoutant " Le K du Q " en est un brave exemple eh eh !!! (hommage à Claudio lool)
Sur scène puisque j'ai eu l'occasion d'assister à une de leur préstation , et bien c'est encore mieux voila tout !!
Si dans Nojazz y'a pas de Jazz la dedans alors je veux bien me faire producteur de maison de disque à énorme budjet et sponsorisé Johnny Hallyday !! à bon entendeur tchaoooooooo !!!

by DJ DemonAngel

Discographie :
-
Zooland (2009)
- Have Fun (2005)
- NoLimits (2004)
- NoJazz (2002) 

Tracklist :
01/ Intro
02/ Candela feat. Mangu
03/ Nojazz song
04/ Pick-up
05/ Blz & timike-interlude
06/ Jungle-out
07/ Medina-intro
08/ Medina
09/ Urgence
10/ Nojazz song "unplugged"-interlude
11/ What time is it
12/ One muscle-interlude
13/ Jazz attack feat. Skratch action hiro
14/ El primero
15/ C & C-interlude
16/ Candela feat. Mangu-club version
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4 mars 2011 5 04 /03 /mars /2011 19:06

http://2.bp.blogspot.com/_DTb74BGA9-U/TUWZQZ7Pw2I/AAAAAAAAAPQ/qVKtMcK8ev4/s1600/bugge.jpg

http://www.gubemusic.com

http://www.myspace.com/buggewesseltoft

http://www.dhaferyoussef.com

Origine du Groupe : Norvegia , Tunnisia
Style : Nu-Jazz , Electro Jazz , Jazz Fusion , Electro Acoustic , Experimental
Sortie : 2004
Durée : 57:50min

http://upload.wikimedia.org/wikipedia/commons/thumb/1/13/Youssef_Dhafer_6021264-2bw.jpg/450px-Youssef_Dhafer_6021264-2bw.jpg

 

A film by Emmanuel Pampuri

Line Up :
Bugge Wesseltoft - keyboards
Dhafer Youssef - vocals, oud
Jonas Lonna - DJ
Ole Morten Vaagan - bass
Andreas Bye - drums
Rikard Gensollen - percussion

Special guest :
Erik Truffaz - trumpet on the last track

Tracklist :       
1. Frik
2. Hi is ?
3. Sunday
4. Trio
5. Film Ing
6. Oh Ye
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