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11 juin 2011 6 11 /06 /juin /2011 15:00

http://www.rawablues.com/gallery/29_RBF_Rod_Piazza_LR_12.jpg

http://www.themightyflyers.com

http://www.myspace.com/rodpiazzaandthemightyflyers

Origine du Groupe : North America
Style : Blues Rock
Sortie : 2009
Duration : 75min

From Official Site :

Don't make the mistake of thinking of Rod Piazza as one of the "young turks" of the blues, or part of the "new generation" of blues greats. At this point in his career, Piazza has been recording longer than his mentor George "Harmonica" Smith did, or Sonny Boy Williamson (either of them!), or Big Walter Horton. He's been making records for more years than Little Walter was alive. Piazza is a tried-and-true, dyed-in-the-wool blues veteran with credentials that are second to none.

From his first recordings as a leader in 1967 fronting The Dirty Blues Band, through his multiple W.C. Handy Award winning with his current band The Mighty Flyers, to his countless appearances both live and on record with legendary blues figures, Piazza has set a standard for harmonica virtuosity that has established him as one of the most influential living blues harp players. He's consistently surrounded himself with players who bring out the best he has to offer, and epitomize the very best in blues: fresh, swinging, tasteful, exciting and creative. The core of his band has been together for over three decades, and developed the kind of musical telepathy that simply cannot exist without years of experience on the bandstand and in the studio. The Mighty Flyers are a well-oiled machine, with Piazza in the driver's seat.

Born in 1947, Piazza's infatuation with blues began at a time when many of the masters were still in their prime years, and in the mid 1960s when the first blues revival was picking up steam, he was in the thick of it. By the 1970s, he'd already released five albums, and was one of the leading lights of the West Coast Blues scene. In the early '70s he joined forces with Otis Spann disciple Honey Alexander (now his wife) on piano, and when they formed the Mighty Flyers over three decades ago, his career really hit its stride. Since then Piazza and the Mighty Flyers have won or been nominated for just about every award that can be bestowed upon a blues band, played literally thousands of gigs around the world, recorded over a dozen highly acclaimed releases, and along the way virtually created a new style of blues - a combination of low-down Chicago grit, suave West Coast swing and jazz, and the rhythmic drive of the best early R&B and rock & roll. Quite simply, Rod Piazza and The Mighty Flyers are one of the best, most experienced, and most distinctive bands in blues today.

 

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28 mai 2011 6 28 /05 /mai /2011 11:00

http://4.bp.blogspot.com/-wnhnNx3nhoY/TZ5jpGyjUFI/AAAAAAAAF-c/fPW4LLd7iE8/s400/budyyyyyyyyyyy.jpg

http://www.buddyguy.net

http://www.myspace.com/buddyguy

Origine du Groupe : North America
Style : Blues
Sortie : 2011
Durée : 94min

 

Wikipedia :

George « Buddy » Guy, né le 30 juillet 1936 à Lettsworth (Louisiane), est un musicien américain de blues et de musique rock. Il est le père de la rappeuse Shawnna.

Influencé dès son enfance par John Lee Hooker, Muddy Waters et Howlin' Wolf qui lui donneront plus tard envie d'émigrer vers Chicago, il se fabrique à l'âge de treize ans une guitare de fortune à partir d'une moustiquaire et d'un morceau de bois. Mais, c'est à seize ans que son père lui offre sa première vraie guitare, une deux cordes. Buddy joue alors simplement de la guitare pour passer le temps.

Quelque temps plus tard, alors qu'il est assis sur le seuil de sa maison en train de jouer de la guitare, un inconnu l'aborde, lui dit qu'il le regarde jouer chaque soir et qu'il voudrait lui offrir une guitare neuve. Et c'est ainsi que Buddy se retrouve le lendemain avec une guitare flambant neuve, plus motivé que jamais pour imiter ses idoles. Dès lors, il s'entraîne avec assiduité et se donne rapidement en concert à Bâton-Rouge avec les bluesmen locaux comme le Big Poppa John Tilley Band, Lightnin' Slim, Guitar Slim, Slim Harpo ou Lazy Lester. Mais Buddy sait déjà que son avenir n'est pas dans ce Sud ségrégationniste et pense déjà à partir au Nord des États-Unis. En quête d'un emploi bien payé, il part en 1957 pour Chicago, la ville de ses idoles. À cette époque, il n'imagine pas encore faire carrière dans la musique.

THE BAND:
Buddy Guy - Guitar & Vocals
Marty Sammon - Keyboards
Ric Hall - Guiter
Orlando Wright - Bass
Tim Austin - Drums

Tracklist :
1. Intro
2. Nobody Understands Me But My Guitar
3. She's Nineteen Years Old
4. Somebody Else Is Steppin' In (Slippin' Out)
5. Mojo Hand
6. Milkin' Mother For You
7. I'm 74 Years Young
8. Skin Deep
9. Steal Away
10. Boom Boom
11. Strange Brew
12. Mustang Sally
13. Voodoo Chile
14. Sunshine Of Your Love
15. band introductions
16. Do Your Thing
17. On The Road

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28 mars 2011 1 28 /03 /mars /2011 15:00

http://bluestormmusic.com/store/images/groundhogs_blues-obituaryLP.jpg

http://www.thegroundhogs.co.uk

http://en.wikipedia.org/wiki/The_Groundhogs

Origine du Groupe : U.K
Style : Blues Rock , Alternative Rock , Psyché
Sortie : 1969

Par http://www.dragonjazz.com

Les Groundhogs s’étaient déjà faits une réputation dans les années 60 alors qu’ils accompagnaient John Lee Hooker à Londres et, en se baptisant du nom d’une chanson du grand bluesman de Detroit, le trio marquait clairement ses intentions. A l’instar des autres groupes de l’époque, comme Ten Years After, Cream, Savoy Brown, Chicken Shack et Fleetwood Mac, les Groundhogs avaient aussi leur arme secrète : le chanteur, compositeur et guitariste Tony McPhee, également pianiste à l’occasion (mais pas sur ce disque). Ce troisième album, après Scratching The Surface (1968) et le rarissime The Groundhogs with John Lee Hooker (1968), peut être considéré comme une de leurs meilleures prestations en studio. Si le blues est ici parfois traité avec le respect dû à sa longue histoire (Times, Express Man ou encore Mistreated qui fait penser à Canned Heat), il est le plus souvent l’occasion de vols jubilatoires effectués par un guitariste habile, se distinguant de ses pairs par un son âpre et rugeux dont le côté hard s’amplifiera encore par la suite. Le disque s’appelle Blues Obituary, ce qui signifie « la nécrologie du blues ». Dans le style désuet des films d'horreur de la Hammer, la pochette du LP original présente au verso une croix constituée de photographies censées raconter la mise en terre du blues. Le fait est que cet album est un œuvre de transition : McPhee, Peter Cruickshank (bass) et Ken Pustelnik (drums) commençaient en effet à pousser l’enveloppe au-delà des douze mesures traditionnelles. Ainsi Daze Of The Weak, qui débute comme un bon vieux boogie, plonge-t-il occasionnellement dans le désordre paroxystique tandis que l’époustouflant instrumental Light Was The Day, qui clôture le répertoire, tranche sur le reste avec son rythme tribal, sa slide juteuse et ses vagues psychédéliques. Dès lors, on comprend mieux : Les Groundhogs enterrent le blues parce qu’il ont décidé d’aller plus loin et de jouer plus fort, ce qu’il feront bientôt avec Thank Christ For The Bomb (1970), Split (1971) et Who Will Save The World? (1972) qui grimperont tout les trois de façon inattendue dans le top 10 des charts anglais. A partir de là, les Groundhogs auront réussi à se façonner une autre image, celle d’un power trio de rock à tendance progressive, mais, grâce à leurs trois premiers opus, ils existeront à jamais dans l’esprit de leurs fans comme l’un des secrets les mieux gardés du blues boom anglais.

Tracklist :
1. B.D.D.
2. Daze of the Weak
3. Times
4. Mistreated
5. Express Man
6. Natchez Burning
7. Light Was the Day

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29 décembre 2010 3 29 /12 /décembre /2010 11:00

http://ecx.images-amazon.com/images/I/51eDYRQIECL._SL500_AA300_.jpg

http://www.myspace.com/nurukane

Origine du Groupe : Senegal
Style : World Music , Blues Funk Rock , Alternative
Sortie : 2010

Découvrez la playlist Nuru Kane - Number One Bus (2010)

A la croisée du blues, du blue-funk de Keziah Jones et des musiques traditionnelles africaines, Nuru Kane, artiste sénégalais inspiré, signe un nouvel album jouissif, "Number One Bus". Un titre donné en hommage au bus qu'il empruntait chaque jour pour aller jouer dans les rues londoniennes. Nuru Kane

par Mondomix

 


Tracklist :    
01. Poulo 3.38
02. Number One Bus 4.03
03. Love 3.34
04. Anna 4.37
05. Bobo 3.44
06. Maman 4.14
07. C Est Ca 3.17
08. Fila 2.58
09. Samaxol 3.13
10. Ya For 4.33
11. Salam 3.57

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9 décembre 2010 4 09 /12 /décembre /2010 17:00

http://ecx.images-amazon.com/images/I/51Ci5%2BYeooL._SL500_AA300_.jpg

http://www.magicslimblues.com

http://www.myspace.com/magicslim

Origine du Groupe : North America
Style : Blues
Sortie : 2005


Magic Slim & the Teardrops - You Got To Pay
envoyé par thegonedu69.


Magic Slim & the Teardrops - Crazy Woman
envoyé par thegonedu69.

Magic Slim is the greatest living proponent of the intense, electrified, Mississippi-to-Chicago blues style that spawned much of the music played by modern blues artists and rockers alike. Its no wonder that Magic Slim & The Teardrops, considered by many to be "the last real Chicago blues band," have become one of the busiest and best-loved touring units today. This live recording, taped in 2005 at the Sierra Nevada Brewery, showcases Slim's slashing, vibrato-drenched guitar, mountain-moving vocals and presents an authentic South Side, back-alley excursion into the true blues.

by  http://www.amazon.com

Tracklist :   
1. I'm A Bluesman
2. The Man You Need
3. Goin' To Mississippi
4. Please Don't Dog Me
5. Mind Your Own Business
6. I Ain't Looking For No Love
7. You Got To Pay
8. I Need Lovin'
9. Shake It
10. Crazy Woman
11. I Don't Believe You Baby
12. Black Tornado

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17 novembre 2010 3 17 /11 /novembre /2010 13:00

http://ecx.images-amazon.com/images/I/51bDqqSiwVL._SL500_AA300_.jpg

http://www.myspace.com/deborahcolemanandthethrillseekers

Origine du Groupe : North America
Style : Blues Rock
Sortie : 2001

Deborah Coleman detected a void in the music stratum and successfully filled it: A lead guitarist/vocalist playing the in the male dominated world of blues-rock. Others like Bonnie Raitt and Marie Muldaur have contributed to varying degrees in the contemporary blues scene (and other styles) but Coleman with her string of five consistently strong albums in only seven years demonstrates that she is serious about her craft and knows her calling as a blueswoman. Livin' on Love combines slow-grind blues pieces, R&B and gutsy rockers with a soulful voice and exemplary guitar playing proving that she's here to stay, not merely passing through.

by Dave Sleger for http://www.cduniverse.com


Tracklist :
1. Livin 'On Love 3:49
2. You're With Me 3:32
3. Light Of Day 3:41
4. Memory Lane 4:08
5. Crazy 3:54
6. Bending Like A Willow Tree 3:51
7. Happy When You're Unhappy 4:32
8. Don't Talk In My Sleep 4:01
9. Heaven's Got The Blues 3:32
10. Torn In Two 3:32
11. Deserted Highway 4:22

 

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15 novembre 2010 1 15 /11 /novembre /2010 16:00

http://3.bp.blogspot.com/_i7JiKj94Pl4/TE4XnUmlyvI/AAAAAAAAGvk/-u12frQrqTU/s1600/cookininmobile.jpg

http://www.robertcray.com

http://www.myspace.com/robertcray

Origine du Groupe : North America
Style : Blues Rock
Sortie : 2010

Robert Cray may be a gloriously reliable musician when it comes to live performances, but he has become decidedly erratic when it comes to album releases. For 30 years America’s most successful contemporary blues guitarist and singer-songwriter didn’t release a live album, but now there have been three in just four years. In 2006 there was Live from Across the Pond, recorded at London’s Royal Albert Hall when he was opening for Eric Clapton (rather confusingly, the title wasn’t changed for its UK release). Two years later came Live at the BBC, featuring 1988 and 1991 recordings from London’s Hammersmith Odeon. Now comes yet another live album (which is also his first live DVD release), recorded earlier this year in Mobile, Alabama.

As expected, it’s an impressive set that provides further reminders of why the hard-working and versatile Cray is such a popular live performer. But his followers should check their CD collections before purchasing, for he repeats a lot of both his most recent and best-known material. Four of these songs appeared on last year’s studio album, This Time; four more were on his Across the Pond set; and two on the BBC album. That old favourite from 1986, Right Next Door, appears on all three live albums.

Cray has succeeded by creating a style of his own, mixing blues with anything from soul to rock and gospel. He has his critics, who find his approach too cheery or lacking in edge for a blues singer, and there are certainly passages here where he eases off with laidback, relaxed songs like the soulful Lotta Lovin’ and the ballad I Can’t Fail. But he’s also capable of pained and emotional vocals, as on Our Last Time, and he’s an inspired guitarist.

The high points include his pared-down treatment of Sitting on Top of the World, a song made famous by Howlin’ Wolf and BB King, and – best of all – the live treatment of Chicken in the Kitchen. A slow blues, concerned with sex, cooking and infidelity, it builds to into a magnificent instrumental work-out, with Cray’s guitar sparring with the keyboards of Jim Pugh, who has been playing an increasingly important role in this excellent band.
By Robin Denselow.
**
It’s hard to imagine being a perpetually broke member of the middle class and still having more money than sense but that’s the only conclusion I can draw when I do something like what I did this week.  Dave Ramsey would probably spontaneously combust if he saw what I spend a month on music and I’m fine with that because I have a few choice words for him, too.  He’ll die richer and we’ll both be dead.  Maybe he’s having fun.  I hope so.  I know I am.  That said, even I have trouble justifying this latest stunt of mine.

I plunked down $13 to buy the latest live album from Robert Cray, whose previous work has left me mildly dissatisfied.  It’s one thing to spend money buying music you like but my addiction to the musical gods has become so great I’m buying shit I don’t like.  I started to get worried.  Why would I do such a thing?

Maybe it was the Alabama connection, as the live album was recorded in Mobile.  Maybe it was seeing a CD/DVD package for $12.99.  I’m sure the vast amount of blues listening, writing, and coverage I’ve been doing here on the site played a part in it too.  I don’t know what it was exactly, but I felt compelled to roll the dice on Cookin’ in Mobile, secure in the knowledge I’ve wasted more money on dumber ideas.

What some have heard as too smooth, polished, polite, and formulaic has also been praised as an elegant, stylish blend of blues, soul, R&B, and gospel.  Listeners in both camps will find plenty to bolster their respective argument although I daresay his detractors might be surprised by what they hear.
He still has the sweet high-register voice after all these years and the stylish guitar leads that have sometimes felt too clean or restrained on record are extended and played with just a little more grit, grease, and fire here, whether playing newer songs like “Love 2009″ and “Anytime” or songs from his Strong Persuader album like “Smoking Gun” and “Right Next Door.”

Speaking of Cray’s lone crossover hit, we’ve seen many an artist grow weary of playing their hit or hits.  I don’t know how many times over the past 23 years he’s gotten tired of that “well-known smoking gun” but on this night he performed “Smoking Gun” with ease and intensity.  It’s hard to believe it’s been that long and amazing to hear him still able to hit every one of those notes.   He adds some fierce guitar licks to the precise vocal phrasing, giving fans that came out to hear this song in particular something to remember.

Cray indeed cooked in Mobile, so much so that the only complaint to lodge against this set is that it leaves you wanting more than 12 songs and 75 minutes.
By Josh Hathaway.
**
In the 1980s, when rock music took a slick turn and anyone playing the blues was kind of poo pooed, several artists carried the torch until the rest of the music world woke up from their hairspray-induced coma and rediscovered the blues. The two most prominent were Stevie Ray Vaughan and Robert Cray. Cray’s status is often overshadowed by the flashier Vaughan, but his place in the annals of blues rock is just as important as the deceased guitar god from Texas. The Robert Cray Band has continued to put out solid, plucky albums (18 so far) since their debut in 1980, while still dazzling audiences with their phenomenal live concerts. That expertise of the Robert Cray Band is on full display throughout Cookin’ in Mobile, this new CD (a DVD of the same concert is also available).

Recorded earlier this year at the historic Saenger Theater in Mobile, Alabama, Cray and his solid backing band of Jim Pugh on keyboards, Richard Cousins on bass and Tony Braunagel on drums, deliver a tight set of songs that rock the house right from the get go with the opening scorcher “Our Last Time.” Classic hits like “Right Next Door” and Cray’s signature song, “Smoking Gun,” are opened up for extended jamming between the musicians. The latter clocks in at over seven minutes as Cray decides to school his audience on what blues rock guitar sounds like. Elsewhere throughout the album, Pugh takes the spotlight, in particularly on “One in the Middle,” which has a killer organ solo by Cray’s longtime sideman.

While the album may appear to look short with just 12 songs on it, in actuality, only two of them clock in at under five minutes. What you get on Cookin’ in Mobile is a real concert experience, with the band giving the songs new life from their studio counterparts. You may not be able to see each pained expression Cray gives when making his Fender sing, but you can feel the passion from his playing on every track. If you’ve never had the opportunity to catch the Robert Cray Band in concert, Cookin’ in Mobile is a fine place to start.


By Scott Malchus  for  http://route66sl.wordpress.com

Tracklist :   
01. Our Last Time 6:32
02. Anytime 6:02
03. Love 2009 6:44
04. Right Next Door 6:34
05. Chicken In The Kitchen 6:48
06. Sitting On Top Of The World 4:19
07. One In The Middle 9:30
08. Lotta Lovin' 5:34
09. Smoking Gun 7:15
10. I Can't Fail 3:41
11. That's What Keeps Me Rockin' 4:59
12. Time Makes Two 7:03

Robert Cray- Guitar, Vocals
Jim Pugh- Keyboard
Tony Braunagel- Drums
Richard Cousins- Bass

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31 octobre 2010 7 31 /10 /octobre /2010 11:00

http://i583.photobucket.com/albums/ss279/Fratu/cover-39.jpg

http://www.myspace.com/taildraggercrawlinjames

Origine du Groupe : North America
Style : Blues
Sortie : 2009

This DVD presents 75 minutes of raw blues from vocalist Tail Dragger with his Chicago Blues Band live from Rooster's Lounge on the west side of Chicago. If you want to experience a typical Saturday night at the Lounge, this is the next thing to being there. Tail Dragger takes his mic and wanders around the room, singing in his gravel-mouthed style, stopping here and there to plead his relationship blues to a variety of (mostly) females (with the guys looking on from their perspective). There are times when I would like to see him move on to a different gal, as he sometimes seems to play up to one for too long. However, his audience has come to expect this and delights in wondering who his next "victim" will be. This is not blues-lite or blues-rock. The band provides a solid shuffle backing throughout the set, although I would have preferred one less of the two guitarists. I like guitar, but sometimes there can be too many in the sound mix. Special guest Jimmy Dawkins steps in, taking the place of one, and plays guitar with the band on one number, "Wander", and has a welcomed sound. In fact, the appearance of Jimmy Dawkins on this DVD was probably the main reason I bought it, and I would like to see an entire DVD such as this devoted to Dawkins with backing band in the future. Otherwise, I was very impressed with the band's Martin Lang on blues harp (harmonica). On every number, he provided a sincere, enthusiastic backing, helping to create a true-blues sound. The video is shot from a variety of angles, and the videographers deserve praise for being able to keep up with the pacing Tail Dragger. All in all, this is a DVD for those that want to see and feel the raw blues in the proper venue.

by  Blue Ox "Al"   permalink

Tracklist :   
1. Louise (7:34)
2. Talk (0:55)
3. Baby Please Don't Go (5:03)
4. Talk (0:52)
5. She's Worryin' Me (8:08)
6. Talk (0:53)
7. Stop Lying (4:29)
8. Keep It to Yourself (4:05)
9. Talk (0:39)10. Be Careful (6:28)
11. Talk (0:44)
12. Wander (3:45)
13. Talk (0:59)
14. Bought Me A New Home 6:11
15. Ooh Baby Hold Me (3:09)
16. I'm In the Mood (6:16)
17. Everything Gonna Be Alright (6:17)
18. Blues With a Feeling (5:51)

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2 septembre 2010 4 02 /09 /septembre /2010 13:00

http://img.over-blog.com/555x358/2/19/05/98/Popa_Chubby_DC-20020217-20--550-.jpg

http://www.popachubby.com

http://www.myspace.com/popachubbyband

http://www.waltertrout.com

http://www.myspace.com/waltertrout

Origine du Groupe : North America
Style : Blues Rock
Sortie : 2000

http://loreillebleue.free.fr/images/Photos/Walter_Trout_01G_CR.jpg

 

 

 

 


 

From Wikipedia :
Popa Chubby, de son vrai nom Ted Horowitz, est un chanteur et guitariste  de blues  et de rock  new-yorkais.

Originaire du Bronx à New York, son style agressif est influencé par Willie Dixon ainsi que Jimi Hendrix, Randy Rhoads, Albert King ou encore Danny Gatton créant ainsi une synthèse Blues, Rock, Funk, Pop très personnelle mais transpirant le blues new-yorkais. Comme Calvin Russell, il a beaucoup plus de succès en France qu’aux États-Unis, où il n’est connu que des spécialistes, bien que la situation ait tendance à s'inverser. Son nom de scène est tiré d’une expression d'argot, "pop a chubby", qui veut dire "avoir une érection", mais peut également faire référence à son embonpoint (popa/papa joufflu). Chacun de ses albums est un concept en lui-même : un album de ballades avec des chansons comme Hallelujah, de rock-punk pur ("If the Diesel Don't Get You Then the Jet Fuel Will"), ou encore de blues comme "Back Door Man" où l'on sent bien la patte du "maître . Perfectionniste, c'est le roi des coups de gueule .

En 2006 il entame une tournée en la commémoration de Jimi Hendrix, celui qui lui a fait découvrir le rock à la radio avec son Purple Haze. Il possède une collection de guitares dont une Fender que le fabricant n'avait pas répertoriée.

Il joue également de la batterie, qu'il lui arrive de pratiquer sur scène.


From Wikipedia :
Walter Trout (born March 6, 1951, Ocean City, New Jersey, United States is an American blues guitarist, singer and songwriter.

Trout's career began on the Jersey coast scene of the late 1960s and early 1970s. He then decided to relocate to Los Angeles where he became a sideman for Percy Mayfield and Deacon Jones. He also worked in the bands of John Lee Hooker and Joe Tex.

In 1981 be became the guitarist for Canned Heat.[1] This led to an invitation to play in John Mayall's Bluesbreakers where he shared the stage with fellow guitarist Coco Montoya. He left the Bluesbreakers in 1989 and formed the 'Walter Trout Band' which developed a successful following in Europe.

In 1994 the official Walter Trout Fan Club for the Netherlands and Belgium was founded, followed in 1996 by the official International Fan Club who has members in 14 countries in Europe, America, Asia and Australia. In 2006 the official International Fan club celebrated its tenth anniversary by giving fan club members an exclusive live CD recorded in Las Vegas, Nevada, which was the last performance of the late bassist, Jimmy Trapp, who died in 2005.

In 1998 Trout released his self-titled US debut album and renamed his band 'Walter Trout and the Free Radicals' (later renamed 'Walter Trout and the Radicals' and currently simply 'Walter Trout'). Since that time Trout has been recording and touring in North America, Europe and India.

In 2002, he was featured on the Bo Diddley tribute album, Hey Bo Diddley - A Tribute!, performing the song "Road Runner" and many more guest appearances on other recordings.

The 2006 release Full Circle, meant that Trout realized his dream of creating an album with some of his most admired musicians, including John Mayall, Coco Montoya, and Joe Bonamassa, among others.
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2 septembre 2010 4 02 /09 /septembre /2010 12:00

http://ecx.images-amazon.com/images/I/41HTZHDG0FL._SL500_AA300_.jpg

http://fr.wikipedia.org/wiki/Mississippi_John_Hurt

Origine du Groupe : V.A
Style : Blues , Folk , Country , Alternative Rock
Sortie : 2001

Avalon Blues est un album hommage à la musique de Mississippi John Hurt, le célèbre bluesman.
Ben Harper y interprète Sliding Delta à la guitare. Pour lui, sans Mississippi John Hurt, il n'aura jamais fait de musique, son influence est très importante chez Ben Harper.
Dans cet album on peut retrouver également Taj Mahal ou encore Beck.

par Les collaborations
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Tracklist :
1. Frankie &  Albert - Chirs Smither
2. Avalon, My Home Town - Bruce Cockburn
3. Angels Laid Him Away - Lucinda Williams
4. Here Am I, Oh Lord, Send Me - Alvin Youngblood Hart
5. Candy Man - Steve & Justin Earle
6. Monday Morning Blues - Peter Case & Dave Alvin
7. Sliding Delta - Ben Harper
8. Chicken - Geoff Muldaur (with Jenni & Claire Muldaur)
9. Make Me A Pallet On Your Floor - Mark Selby
10. Stagolee - Beck
11. Since I've Laid My Burden Down - Victoria Williams
12. Pay Day - Bill Morrissey
13. My Creole Belle - Taj Mahal
14. Beulah Land - Gillian Welch
15. I'm Satisfied - John Hiatt

 

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